Virtual Book Tour: Heart on a String by Susan Soares

This post is part of a virtual book tour organized by Goddess Fish Promotions. Susan will be awarding a Life is all Good LOVE Tote to a randomly drawn winner (http://www.zappos.com/life-is-good-all-good-tote-soft-purple), a multi-heart turquoise charm bracelet (http://www.zappos.com/m-f-western-multi-heart-charm-turquoise-bracelet-silver) to another randomly drawn winner, a signed copy of Heart on a String to one more randomly drawn winner and finally, a signed bookmark of Heart on a String to three randomly drawn winners. All prizes will be awarded via rafflecopter during the tour. Click on the tour banner to see the other stops on the tour.

Tell us a little about yourself and your background.

First off I’m a mom to three wonderful and wacky daughters. I’m a lover of all things YA. I’m also a huge Disney World fan. :-)

What were you like at school?

Very shy!

Were you good at English?

I was great at any creative writing, but as far as grammar and punctuation I was horrible!

What are your ambitions for your writing career?

The big dream that most writers have is to be published by one of the the “big 6” and to have my books grace the shelves of Barnes and Noble.

Which writers inspire you?

I have loved Sarah Dessen for forever. She is the queen of YA contemporary. I had the privilege of meeting her last year and she was just as awesome in person as I’d hoped she’d be.

So, what have you written?

I have two books currently published. My first is a YA paranormal comedy called My Zombie Ex-Boyfriends and my latest book which is a YA contemporary called Heart on a String.

Where can we buy or see them?

Anywhere online books are sold.

Give us an insight into your main character. What does he/she do that is so special?

Marissa is a wounded bird. I believe her sensitivity and her compassion is what makes her so special.

What are you working on at the minute?

Currently I’m working on my first series! It will be in the NA genre.

What’s it about?

The NA series will be about a group of six couples whose lives intertwine each other during one summer. It will be contemporary.

What genre are your books?

What I’ve written so far is YA/YA contemporary and I’m branching out into the NA genre.

What draws you to this genre?

I’ve always loved YA. Ever since I read Sarah Dessen’s Dreamland I was hooked. I knew it was the genre for me.

Which actor/actress would you like to see playing the lead character from your most recent book?

I could totally see Lucy Hale from Pretty Little Liars playing Marissa.

How much research do you do?

Most of my stories don’t require too much research.

Have you written any other novels in collaboration with other writers?

Not yet, but I’m totally willing.

When did you decide to become a writer?

Honestly? When I was seven years old. I knew that’s what I wanted to be.

Why do you write?

Writing is part of my DNA. I can’t not write. I’m happy that I’m able to share my writing with others.

What made you decide to sit down and actually start something?

I’m very goal oriented and once I committed myself to writing a full length piece there was no going back.

Do you write full-time or part-time?

Full time.

Do you have a special time to write or how is your day structured?

I like to write for two hour blocks.

Do you write every day, 5 days a week or as and when?

I shoot for five days a week.

Do you aim for a set amount of words/pages per day?

I feel best when I get at least half a chapter written.

Do you write on a typewriter, computer, dictate or longhand?

All on my trusty Macbook Pro.

Where do the your ideas come from?

My head :-) Most of the time it really just pops up from nowhere. Sometimes I’ll hear a phrase or hear a lyric and it will spark something inside me.

Do you work to an outline or plot or do you prefer just see where an idea takes you?

I use a very brief outline. One to two sentences per chapter. Most of the time I end up with a whole middle section that has no notes at all so I just write it organic.

How do you think you’ve evolved creatively?

I think I’ve become much better at having a very rounded out plot.

What is the hardest thing about writing?

Simply doing it! Staring at the blank screen is beyond intimidating!

What was the hardest thing about writing your latest book?

Keeping all the pieces together. Since this is my first series it has a different set of rules than a stand alone book.

What is the easiest thing about writing?

There is nothing easy about it. :-)

How long on average does it take you to write a book?

For a first draft I shoot for one to two months. Then editing is another two to four month process.

Do you ever get writer’s Block?

YES!

Any tips on how to get through the dreaded writer’s block?

Finding something else that inspires me seems to work. Reading a great book will start ideas flowing.

If this book is part of a series, tell us a little about it?

Heart on a String is stand alone.

What are your thoughts on writing a book series?

I’m pursing it now and it’s interesting!

Do you read much and if so who are your favorite authors?

I love to read. My favs are Sarah Dessen, John Green, Harlen Coben, Sarah Ockler, Mandy Hubbard. To name a few.

Mb>For your own reading, do you prefer ebooks or traditional paper/hard back books?

I love to read on my ereader but there’s something so comforting about holding a physical book.

What book/s are you reading at present?

Ten Tiny Breaths

Do you proofread/edit all your own books or do you get someone to do that for you?

I do my initial pass and then have an editor who looks it over.

Do you let the book stew – leave it for a month and then come back to it to edit?

While it’s at the editor is when I leave it. That way I’m fresh for edits when I get it back.

Who edited your book and how did you select him/her?

Pete Tarsi is my editor. I chose him because he has an eye for detail. He is a teacher and is probably one of the most intelligent people I know.

Tell us about the cover/s and how it/they came about.

That was done by the publishing companies. Heart on a String was created by the design team of Astrea Press.

Do you think that the cover plays an important part in the buying process?

Yes. It shouldn’t but it does.

How are you publishing this book and why?

I’m working with small press publishers at this time. I found it to be the best fit my work so far. But my agent is working on getting my 3rd novel into the hands of the “big 6”

Do you have any advice for other authors on how to market their books?

You must be on social media. And this process should start long before your book is ever available for purchase.

What part of your writing time do you devote to marketing your book?

At least 50% of my time weekly is to marketing.

What are your thoughts on good/bad reviews?

Reviews are so subjective for books it’s a double edge sword. You want good reviews but you can’t rely on reviews to sell your books.

Why do you think that other well written books just don’t sell?

It can just be a hit or miss thing. Sometimes if you have a contemporary book especially it can be hard to connect your audience. Over time though the readers will come.

What do you think of “trailers” for books?

I love them and have one! Check it out:



How do you relax?

I love to read, listen to music and research for my next Disney World trip!

What is your favorite motivational phrase.

“Do or do not. There is no try” Master Yoda

What is your favorite positive saying?

Don’t fill your life with stuff. Fill it with memories.

What is your favorite book and why?

Dreamland by Sarah Dessen. It was the book that made me want to write YA.

What is your favorite quote?

“Be like water.” Bruce Lee

What is your favorite film and why?

It’s a Wonderful Life. Because I love its message and I love Jimmy Stewart.

The only thing harder than lying about your life? Facing it.

Marissa tells lies.

To herself, about the fact that her brother abandoned her.

To her grandmother, when she says “everything’s fine.”

To the world when she pretends her mother is at home or working late. When she doesn’t tell them her mother is dead.

She doesn’t even question the wisdom of living in a world built on lies anymore—until she meets Brandon. Unlike Marissa, Brandon faces his grief head-on. As their relationship sweetens, Marissa realizes the value of letting someone in and not letting her grief destroy her. But when her past filled with denial catches up with her, Marissa is forced to tell Brandon her darkest secrets, or risk losing him.

The only thing harder than lying about her life? Facing it.

Enjoy an excerpt:

I held my breath as I ran past the cemetery. Stupid, I know. Regardless, it’s one of those idiotic things that stick with you from your childhood. Like fragments of your being that imprint themselves on your chemical makeup. It was my older brother, Marc, who had told me that once when we were in the backseat of Mom’s old hatchback and were driving past the Sacred Path Cemetery.

Marc poked me in my side. “Quick, hold your breath,” he said before taking in a puff of air and holding it in.

“What? Why?” I looked around from side to side.

He didn’t answer me. Instead he just kept motioning with his hands, pointing out the window, putting his hands around his neck like he was choking or something. Finally, when we turned left onto Harper Street he let out a big exhale.

“Oh man, now you’re toast.” He pointed at me and laughed. That maniacal laugh only older brothers know how to do. I was seven at the time, and Marc was ten. “You probably have a ghost inside you now.” He grinned like a devious villain.

“A ghost?” I said.

“You didn’t hold your breath while we drove past the cemetery. Again I state — you’re toast.” He began drumming on his lap with his hands.

I didn’t comprehend what he was telling me, but I knew I didn’t like it. Tears started forming in my eyes, and I knew I had to rely on my failsafe. “Mooommm,” I cried out, and immediately I felt Marc’s sweaty hand over my mouth.

“Yes, Marissa?” Mom’s sweet voice carried from the front of the car to the backseat.

“She’s fine, Mom. I got it.” Marc’s tone was of the dutiful son. He unclamped his hand from my face. “Listen,” he began, talking kind of slow. “You’ve got to remember this. I’m going to give you a life lesson here. Are you ready?”

His green eyes were sparkling, and I nodded my head in agreement.

“Okay.” He crouched down a bit so he was eye-level with me. “You must always, and I mean always, hold your breath when you drive past a cemetery. And if you’re walking past one, you must run — run and hold your breath until you’re clear. Otherwise, the spirits of the undead could invade your body. And you don’t want that to happen. Do you?” I almost couldn’t tell if the last part was a question or a statement.

“But I didn’t hold my breath back there, and all the times before. What if one’s in me right now?” I began pawing at my body.

Marc threw his head back and laughed. “Nah, you’re fine. Just be careful. Now that you know you have to do it, always do it. Understand?”

Again I shook my head. Marc gave me a thumbs-up, and I begged Mom to take Chester Street instead of Maple because I knew there was a big cemetery on Maple. Luckily she agreed.

So now, here I was ten years later, holding my breath as I ran past Sacred Path Cemetery. While I ran, my new sneakers — the ones I had to work double shifts on Saturdays for three weeks to get — started rubbing the back of my left heel, and I knew I’d have a blister the size of a quarter later on. It’s hard to keep your pace when you’re holding your breath. Luckily Sacred Path Cemetery isn’t that big. Just big enough. It’s just big enough. That’s what my grandmother said anyway. I was almost halfway through when I heard the clicking of the tips of my shoelace on the ground. My thoughts concentrated on what those tip things were called, anything to get my mind off the cemetery. Aglets, I remembered! My aglets were hitting the pavement, and I knew if I didn’t stop and retie that lace, then I would land flat on my face. Grace has never been a character trait of mine. My mother, yes, but not me. Marissa No-Grace McDonald should have been my legal name. How my mother came up with Scranton for my middle name I’ll never know.

The last thing I wanted to happen was to fall face first in front of the cemetery. Complete body invasion for sure then. I couldn’t hold my breath that long. So I did what I had to do. I stopped, turned my face the opposite direction of the cemetery, and took one big breath in and held it. Next, I bent down and furiously retied that lace. Why is it that whenever you try doing something in a rush it never comes out right? Somehow I tied my finger into the knot. Then, I couldn’t get the loops to line up right. Just as I was finally conquering the over-under shoelace tying technique that Marc had taught me when I was five, I heard muffled sounds coming from inside the cemetery. I searched for the source of the sounds. As I looked near the line of big oak trees that lined the right-hand side of the cemetery, I saw the profiles of a family. What I assumed was a family, anyway. There was a woman, about my mom’s age, a guy about my age, and a younger boy, maybe six or seven. The little boy was holding a metallic balloon, which was red and in the shape of a heart. Bright sun caught the corner of it, creating a glare that momentarily impaired my vision. When my eyes refocused, I was suddenly aware of my body and extremely aware of the fact that I was watching this family’s private moment, in the cemetery, in this cemetery. My heart beat frantically, and I became aware that my forehead was covered in perspiration. I stood up, held my breath again, and ran the next half a block without stopping, my aglets clicking against the pavement all the way.

When I crossed over onto Brenton Street, I finally slowed down. I felt like I could breathe again. My pace was back to a more conservative speed, and after one more break to retie that shoelace-triple-knot, I was able to refocus. The spring air felt good on my skin. As the sun poured down on me, my face embraced its warmth. Lilacs were in full bloom everywhere, and I made a special detour down Hazel Street to run past the six lilac bushes Mr. Brockwell planted a few years ago. He said it was just because he wanted to add some color to his front yard, but I knew better. I knew they were for my mom.

Turning down Hazel Street, I inhaled the heavy floral scent of the freshly-bloomed lilac bushes, and I could picture my mom smiling. As I ran past the last bush, the little blue house finally came into view. I saw Mr. Brockwell picking up his newspaper from his front step. In that moment I wished I had magical powers to turn myself invisible.

“Marissa? Hey Marissa!” he shouted while making his way over to the fence.

Oh great. “Oh, hey, Mr. Brockwell.” I slowed down and began jogging in place, hoping the gesture would let him know I couldn’t stay to chat.

“It’s been a long time since you’ve run this route, hasn’t it?” He cinched his blue terrycloth robe a little tighter.

Trying to remain active, I kept jogging in place. “Yeah, I guess. I wanted to run past the lilacs.” I wasn’t sure if it was the sun or my nerves, but I felt like my body was going into heat shock or something.

Mr. Brockwell stared at me, and then I saw his eyes get glassy. He began to speak but then ran his hand over his mouth like he was muffling down what he wanted to say. His hands fumbled with his paper, and he cleared his throat.

“It’s good to see—” he paused; it was like the words were getting caught in his throat like tuna inside a fisherman’s net.

I realized I was standing still. My legs began to spasm. He caught my eye one more time, but just for a moment before he had to look away. I knew why. It was the reason I never ran past his house anymore. The reason why we couldn’t have a conversation anymore. Everyone used to tell me I was so lucky to look so much like my mom. She was gorgeous. High cheekbones, perfect heart-shaped mouth, sparkling blue eyes that sat perfectly on her oval face. Besides her hair being a stunning ash blond and mine being mouse brown, we did look quite similar. Except that while her features seemed to make her look like Grace Kelly, mine seemed to make me look like, well, not Grace Kelly.

But it was moments like this — Mr. Brockwell unable to look at me for more than a minute without having to look away — that I wished I looked less like her. I felt like my face was betraying him. Like my cheekbones and lips were baiting him with memories of him and my mom together. Although now, each memory was served with a side of sorrow instead of a side of joy.

I’ll never forget when I saw him two days after the funeral. We bumped into each other at Have Another Cup Coffee Shop on Main Street. First he hugged me and asked how I was doing; then he had to look away, and he told me why.

“It hurts to look at you, Marissa. You look so much like her.” I knew how much he loved my mom, and Marc and I enjoyed having him around, but after that moment I made sure to keep my distance. So he went from being Hank to back to being Mr. Brockwell.

Now, I stood there — uncomfortable from sweat that covered me head to toe — wondering how much longer I needed to stand there while he avoided my face. “So, I gotta go or my pace is gonna be all messed up.”

Hank, I mean, Mr. Brockwell took one final look at me. “Sure, sure.” He started to walk backward then stopped. “Marissa, just so you know. Any time you want to see the lilacs you can.”

The lump in my throat held back any words I could have gotten out, so I just waved and made a beeline for the next street so I could start my way back home. Seeing Mr. Brockwell had put me into a fog. My brain wasn’t able to concentrate on my pace or on my footing, and I began to get a shin splint pain on my left-hand side. Unfortunately, this was the same side as the blister. My run was only six miles, but my body was starting to feel like I was at mile thirteen. I couldn’t relax my breathing, and the back of my throat felt like it was on fire every time I inhaled. In my fog, I didn’t realize I forgot to cross Parker Street, and now the only way to get back was to take Fletcher Street again. And run past Sacred Path Cemetery, again. Now, I ran past that cemetery every day on my jog, but only once. Once was all I needed to let me get it out of my system. And it’s not like my mom’s grave is right where I run past. She’s way on the other side, the Cranville Street side. I never run that side. But now, in all the confusion, I have to go past it again. My hand scratched an itch at the back of my neck as the street sign came into view. Like always, I stopped for a moment, took a few deep breaths in and out, then grabbed one big breath of air and held it as I started my way past the cemetery.

My focus was way up ahead to the stop sign at the other end. I kept my eyes on that sign and kept my feet stepping under me, quick and steady. I wasn’t even halfway across when I caught sight of some sort of string frantically whipping in the wind, and I was running straight toward it. My gaze moved to follow the line of the string, trying to see what it was attached to, and that’s when I saw it, caught in the big tree right by the fence. The red, heart-shaped metallic balloon, and my heart hit the ground.

About the Author:
Susan Soares grew up in a small town in Massachusetts, always dreaming of one day being an author. After numerous short stories, poems and plays, those dreams finally became a reality when her first book, My Zombie Ex-Boyfriends was published. (Featherweight Press, 2013) Her second book Heart on a String was just released in June 2014 by Astraea Press.

Susan received her MA in Creative Writing and English from Southern New Hampshire University, and will be pursuing teaching soon. When she isn't writing Susan spends her time reading, experimenting with photography, planning her next Disney World vacation and chasing after her kids.

Susan loves to read YA fiction. Maybe it's because her inner sixteen-year-old still wants to be prom queen.

Twitter ~ YouTube ~ Website ~ Blog ~ Goodreads ~ Wattpad


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